Charles Edmund Clutterbuck (1806-1861)
Charles Clutterbuck of Stratford, East London began his career in the early days of the Gothic Revival. He worked in a broadly renaissance-influenced style, rather than the 13th and 14th-century manner adopted by some contemporaries, and his windows were much admired by Charles Winston, the pioneer of medieval glass studies.
He was originally a painter of miniatures and exhibited eight paintings at the Royal Academy between 1828 and 1853.
Several commissions for stained glass in North Wales from 1844-60 came through his connection with the Rev. Dr Hugh Chambres Jones at one time vicar of West Ham and Archdeacon of Essex who died at Conway in 1869.

The Good Shepherd, c.1867

Clutterbuck's pictorial style achieved some success; however, for some reason, much of his glass suffered from failure in painting and he was much criticised for his style by the Ecclesiologist although Charles Winston wrote of his work "The best imitation of the kind I have yet seen is in one of the north windows of Farningham Church, Kent. The work possesses the brilliancy as, well as the silvery effect of old glass".

Charles Edmund Clutterbuck Jnr. (1839-1883)
Trained as a stained glass artist and carried on his father's business until 1882.